MONA

My first trip to MONA (Museum of Old & New Art, Hobart), was everything and more than I had expected. A veritable Disneyland for adults; a cavernous & labyrinthian delight to keep one spellbound for an entire day. We caught the 9.30am ferry from Hobart docks for a 30 minute commute. Pre-booking the ferry and MONA entry is recommended as the queues are horrendous during peak season. 

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MONA is 3 levels of theatrically lit galleries which juxtapose, as the museums title suggests, contemporary art alongside treasures from history. Some of my favourites from the collection were the 'Mummy and Coffin of Pausiris', 'The Fairy Horde & the Hedgehog Host' & 'Trash blower 2012'. 

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Exploring the space is a curious treat with a portable device (I suspect an Ipod in a clever casing), which allows you to navigate to information relevant to your position in the gallery. Artworks hang without a numbering system or distractingly placed blurb which coerces you to interact with the device. It certainly is a different experience from your traditional gallery visit. 

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The entire viewing experience and 'voting' for like/hate of an artwork is saved to the MONA server and retrievable upon returning home as along as you entered your email address on the site. A nifty way of remembering your tour.  I would definitely recommend a trip to this ambitious and totally jaw-dropping gallery. 5 out of 5!

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Spirit in the Land

Maxx and I set off for the Penrith Regional Gallery to view the works of a touring exhibition titled 'Spirit of the Land'.

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'Spirit in the Land explores the connection between eleven Australian artists, historical and contemporary, Indigenous and non-Indigenous, and their special appreciation and engagement to the spiritual ethos and power of the land.'

​Lorraine Connelly-Northy

​Lorraine Connelly-Northy

I especially enjoyed the artworks by Lorraine Connelly-Northy whose skill in harnessing interesting form from weathered, discarded industrial materials of yesteryear, hung beautifully as a reference to narrbongs(string bags).

Lorraine Connelly-Northey is a Waradgerie woman, who was raised along the Mallee and Riverina bush area of north-western Victoria 

Emily Kame Kngwarreye

Emily Kame Kngwarreye

Marina Abromovic

Marina Abramovic is a New York-based Serbian artist who began her career in the early 1970s. The Museum of Modern Art in New York held a retrospective of the artist's work in 2010, including a new work titled 'The Artist is Present', where Marina sat for 3 months during exhibition times, and had more than 750, 000 people sit opposite her on a chair. I watched the documentary of this exhibition and performance on ABC's Iview yesterday and was completely captivated, enthralled and curious about this artist's life/work. 

Then I came across a book of portraits taken by photographer  Marco Anelli on the blog titled - Marina Abramovic Made Me Cry. Here are some of the portraits.....

“(...) Photography is about stillness. The work, ‘The Artist is Present’ is about stillness and immobility.
In stillness everything becomes so visible and so important.
Light crossing the room.
Shadow cast under the chair.
Color of the skin.
Position of the hands.
Wrinkles of the dress.
Even the molecules of the air somehow become visible.”
— Marina Abromovic